Press
Everything you need
to write about us.
Logos, photography, pre-written bios at three lengths, and the correct spelling of everything. Free to use without asking. If you need something that is not here, say so and we will send it.
Get these right
Fact sheet
Brand name
CutToAi — one word, camel case, capital C, T and A. Not "Cut To AI", not "CutToAI", not "Cuttoai".
Founder
Mostafa Nagy. On second reference, "Nagy".
Title
Founder, CutToAi. Also Course Leader, BA (Hons) Digital Film Practice, MetFilm School, BIMM University.
Based
London, United Kingdom.
Website
cuttoai.net
Press contact
Via the contact form, choosing "Press or media". We aim to respond within five working days, faster if you tell us your deadline.
Copy and paste
Bios, three lengths
Use these as they are. No approval needed.
50 words
Mostafa Nagy is the founder of CutToAi, which builds free tools, research, and training for filmmaking in the age of AI. He has thirty years in broadcast filmmaking and leads BA (Hons) Digital Film Practice at MetFilm School, London.
100 words
Mostafa Nagy is a documentary filmmaker and film educator, and the founder of CutToAi — a practice that builds free tools, research, and training for filmmaking in the age of AI. After thirty years in broadcast, he now leads BA (Hons) Digital Film Practice at MetFilm School, BIMM University, and researches the reform of practice-based film education at Bournemouth University. He co-produced Ali and His Miracle Sheep, which won Best Film in the UK Competition at Sheffield Doc/Fest 2021, and is co-producer on the feature documentary 40 Years of Silence, currently in post-production.
200 words
Mostafa Nagy is a documentary filmmaker and film educator based in London, and the founder of CutToAi. CutToAi builds free instruments for filmmakers and film educators, tests them in real productions and real classrooms, and publishes what holds up — including what does not. Every tool it releases carries an explicit statement of what it cannot do.
After thirty years working in broadcast across Al Jazeera, the BBC, ITV, Sky, NBC, Discovery and Disney, Nagy moved into higher education. He is Course Leader for BA (Hons) Digital Film Practice at MetFilm School, BIMM University, and previously served as Film Programme Director at the University for the Creative Arts and Senior Lecturer at Ravensbourne University London. He is completing an EdD at Bournemouth University on the systemic reform of practice-based film education.
His documentary work includes Ali and His Miracle Sheep (co-producer), which won Best Film in the UK Competition at Sheffield Doc/Fest 2021, and 40 Years of Silence (co-producer), currently in post-production. He is a certified instructor for Avid, Blackmagic Design and ARRI, and an Adobe Creative Educator.
Assets
Media kit
Right-click to save. Please do not recolour the wordmark or set it in a different typeface.
Logo
Wordmark, dark
Horizontal lockup in near-black, transparent background. For light backgrounds.
Logo
Wordmark, reversed
Cream on petrol. For dark backgrounds and print.
Logo
Mark only
The frame device on its own, as vector. Strokes use currentColor, so it takes whatever colour you set.
Recent and upcoming
Speaking engagements
Full topics and formats are on the speaking page.
Frame Forward 2026
Industry conference. On the industry–education interface and AI in moving-image practice.
Bournemouth University PGR Conference
June 2026. Presenting the EdD research: The Prototype Institution and the systemic reform of practice-based film education.
Adobe Generation AI Series
Industry education series. On AI in creative education and practice, as an Adobe Creative Educator.
MetFilm School MA panels
Ongoing. Panel contributions across the MA programmes: documentary practice, AI workflows, and professional formation.
Coverage
Citations and press
This section is deliberately empty rather than padded. CutToAi is new, and a page of thin mentions dressed up as coverage would undercut the point of the method page.
If you have cited the calibration instrument, the market map, or anything else here — in an article, a syllabus, a paper, or a talk — tell us and it will be listed. Teaching use counts.
On a deadline?
Say so in the first line and we will prioritise it. Happy to do background, fact-checking, or a quote on AI in filmmaking and film education.